10×15” painted charcoal and graphite on BFK paper

Glass, stainless steel maille, reclaimed wood

Oil on paper, 16x20” 2024

Personified characters Death and Orthodoxy seek out the cunning God of Time to deliver a summons into modernity.
The text on the summons reads: 'the angel summons the worm,' in a mixture of modern Slovak and Old Church Slavonic. I call the skeleton ‘Nox,’ which from the Latin root, has associations with night, darkness, sleep, obscurity, gloom, death, blindness, and companionship by night. Death/Nox functions both as a stand-in for the traditional allegory of the skeleton, and to demonstrate our reliance on learned symbology in order to construct new mythologies.

Oil on canvas, 45x49" 2023

Stained Glass Lantern, 7x7x9” 2023

Stained glass lantern, 7x7x9” 2023

The Orthodox Priestess shines Nox's lantern towards a vast desert, where televisions feed off of organic creatures and a leviathan house spirit carries his family's home towards a distant city. In the foreground, a cherub plays with a car battery.
Oil on canvas, 45x54" 2023

Against a floral wallpaper backdrop, Death gathers a bundle of flowers on a mossy hill, while the priestess, cherub, and monsters play below amongst discarded objects.

Cast glass sculpture, 3x1.5x6” 2023

Oil on canvas 21x26” 2022

Woodblock 14x22” 2022

Oil on paper 14x22” 2022

Oil on paper 9x12” 2022

Mixed media on canvas (acrylic, oil, paper collage) 41.5x27.5” 2022

Linoleum 4x6” 2022

Graphite 16x20” 2023

Linoleum 6x9” 2022

Linoleum Print 6x9” 2022

Copper etching 7.5x15” 2021

Woodblock 10x12” 2021

Woodblock 10x12” 2021

Oil on paper, 16x20” 2021